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Sophie's World: Jostein Gaarder, Phoenix Books 1995
When (David) Hume was dying, a friend asked him if be believed in life after death. He is said to have answered, `It is also possible that a knob of coal placed on the fire will not burn.' "
Is this a novel, or is it a text book on philosophy? This question is in itself just one of the conundrums raised by this amazing book. Few works of fiction come with extensive index notes. This is a dual-purpose book. On one hand it is a young adult's guide to the most difficult metaphysical questions in Western Philosophy, and on the other hand it is a fantasy based on the many ideas it presents in an easy prose that makes even incomprehens
ibles like Hegel accessible. It begins when a fourteen year old Norwegian girl receives an anonymous note bearing the questions, "Who are you?" and "Where did the world come from". Sophie's world changes as she receives a series of philosophical essays, comprising the beginnings of a strange correspondence course. She is guided step by step through pre-Socratic and Hellenistic philosophy. The fictional elements that intercut so neatly with the text book passages of the philosophy course are equally fascinating. Sophie attempts to track down the philosopher who communicates at first only through his messenger dog Hermes. Eventually, Sophie finds him to be a man called Alberto Knox. She first sees him in a video he posts to her in which he is talking directly to Plato, livc in ancient Greece. From here, the story takes a more fantastic turn. Sophie meets Knox, and also discovers that her life is being affected by another figure called, With deliberate similarity of name, Albert Krag, and another teenage girl called Hilde, who seems to be engaged in a parallel debate. Alberto Knox begins to educate Sophie in the shocking realisation that she is merely a fictional character in a book on philosophy which Krag is writing for his daughter during his absence from her side. Sophie finds that her education is now being illustrated with the aid of visits from other fictional characters. Marxist theories of the division between bourgeoisie and the proletariat is illustrated by the Little Match Girl attempting to sell Ebenezer Scrooge her wares. It may seem simplistic, but it works wonderfully.There are flaws. There is no mention of Utilitarian thinkers, and Nietzsche is glossed over too quickly in Gaarder's eagerness to rush on to Sartre and De Beauvoir. He is at his best as a philosopher in the hellenistic world. The book demonstrates philosophy's relevance in day-to-day activity, and for us, there is much reference to Humanism's Greek and Renaissance heritage. Finally, the book carefully but sympathetically discredits all claims of paranormalism. Sophie and Alberto make a brief but telling impact on the mind of Hilde Krag, and vanish. Hilde herself is last seen being told of the fleetingness of life in the cosmic scale of time.
This is a book on all aspects of life. It is often comical, and occasionally tragic. It captures the sense that life is precious and wonderful and even spiritually awe-inspiring even without supernaturalism. For Sophie and Alberto. trapped in the realm of the imagination as philosophical abstractions. there is a recognition of what little immortally there is - in the impressions we leave of ourselves in the lives of others.
"You and I also began with the Big Bang, because all substance in the Universe is an organic unity. Once, in a primeval age, all matter was gathered in a clump so enormously massive that a pinhead weighed many billions of tons. This ‘primeval atom’ exploded because of the enormous gravitation. It was as if something disintegrated. When we look up at the sky, we are trying to find the way back to ourselves." Few writers can make a scientific astronomical theory sound so poetic, profound and mystical as that.
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